Mickey Mouse is an cartoon character co-created in 1928 by Walt Disney and Ub Iwerks.
Spider-Ham (Peter Porker) is a superhero appearing in Marvel Comics. The character is an anthropomorphic pig and is a parody version of Spider-Man. He was created by Larry Hama, Tom DeFalco, and Mark Armstrong.
Kaneda, the leader of a motorcycle gang in Katsuhiro Otomo’s classic anime feature AKIRA (1988).
Daffy Duck was created by Tex Avery for Leon Schlesinger Productions. He has appeared in cartoon series such as Looney Tunes and Merrie Melodies, in which he is usually depicted as a foil for either Bugs Bunny, Porky Pig, or Speedy Gonzales.
It took two decades for author P.L. Travers to allow Walt Disney to bring her “Mary Poppins” books to the screen and it took about as long for Dav Pilkey to grant DreamWorks (or any studio) the rights to produce Captain Underpants—The Epic Movie which opened this weekend. “I was approached throughout the run of […]
The books have been wildly popular with kids (of all ages) worldwide since the first was published back in 1997. Now DreamWorks Animation is hoping Captain Underpants will be a perfect fit for the big screen. Director David Soren, a long-time fan of the series, joined me for this “brief” Q&A on Captain Underpants: The […]
DreamWorks Animation has made a deal for the rights to award winning, internationally bestselling author Cressida Cowell’s new fantasy novel series, The Wizards of Once, it was announced today by Chris deFaria, President of DreamWorks Feature Animation Group. The first installment of the book series, The Wizards of Once will be released through Hodder Children’s […]
Producer Gina Shay fell in love with animation not long after she graduated from Pratt Institute, moved to LA and worked on Ralph Bakshi’s Cool World as a PA. Since then, she amassed production credits on features with DreamWorks, Disney, Nickelodeon and others. “For a while, I thought I might take the artist route,” she […]
This just popped into my head earlier today: Western films tend to reflect the struggle of the individual. Eastern films in contrast are more likely to use interpersonal relationships as a foundation for the story. There’s a marked difference, and its one that could really enliven western animated filmmaking. There’s no doubt that many western […]
This just popped into my head earlier today: Western films tend to reflect the struggle of the individual. Eastern films in contrast are more likely to use interpersonal relationships as a foundation for the story. There’s a marked difference, and its one that could really enliven western animated filmmaking. There’s no doubt that many western […]
